![]() ![]() Steven Poole notes that its "insistent xylophone-accented melody" has "become a kind of global musical shorthand for cartoonish urgency." Critics Peter G. ![]() NPR described it as "one of the catchiest, most familiar-perhaps most maddening-tunes to come out of the 20th century." The New York Times noted that Khachaturian "never disowned the 'Sabre Dance', but he did feel, apparently, that it deflected attention from his other works." He told an American interviewer, "It's like one button on my shirt, and I have many buttons." The harp is active throughout, while the celesta plays at the very end. According to Tigran Mansurian, it is a synthesis of an Armenian wedding dance tune from Gyumri tied in a saxophone counterpoint "that seems to come straight from America." Woodwind auxiliaries include piccolo, English horn, and bass clarinet. Daniel Chetel wrote that it features "very active percussion" with the lead of the xylophone and "dramatic glissandi for the trumpet and trombone." Ĥ includes a prominent cello soli in tenor clef and alto saxophone, and is based on an unnamed Armenian folk song. It is notable for its employment of percussion instruments, especially the xylophone (or tubaphone). "Sabre Dance" has also been used by a number of figure skaters from at least five countries in their performances. Its use in a wide range in films and television over the decades have significantly contributed to its renown. ![]() It was popularized by covers by pop artists, first in the U.S. "Sabre Dance" is considered one of the signature pieces of 20th-century popular music. It is Khachaturian's best known and most recognizable work worldwide. " Sabre Dance" is a movement in the final act of Aram Khachaturian's ballet Gayane (1942), where the dancers display their skill with sabres. The cover of a 1953 record of the "Sabre Dance" by the Indianapolis Symphony Orchestra Problems playing this file? See media help. ![]()
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